But its a moment were meant to be a part of, that both surrounds us and is for us. Thats his brand of intimacy: the sensation of the stolen moment. . During World War II the club scene changed and he came back to Geneva where he could find work. Q: When did your brother start getting interested in music? (, This page was last edited on 15 February 2023, at 23:36. [14] On April 4, 2014 a ceremony to rename a downtown street Scott LaFaro Drive took place. In his playing you can hear how happy Evans is to have this helmsman at the back of the boatI think it helped him see better at the front. Its there for a reason, and thats not solely to complement the proof of the magic that occurred at a New York City club in late June 1961. The Jazz la Mode Blog has plenty to stimulate your interest and curiosity in American music. Scott LaFaro - Artist Details. He also played in Stan Getz's band between jobs with the Bill Evans trio. When Scotty was killed at age 25 (I was 24), I was devastated I couldn't play for months. The action you just performed triggered the security solution. The portion of Linden Street that runs from Seneca Street to South Exchange. 1926). Read more about this topic: Scott LaFaro, Time is here and youll go his way.Your lung is waiting in the death market.Your face beside me will grow indifferent.Darling, you will yield up your belly and becored like an apple.Anne Sexton (19281974), Poor fellow never joyed since the price of oats rose, it wasthe death of him.William Shakespeare (15641616), Ai! Composer: Styne / Sondheim Lafaro's innovative bass playing, which combined virtuoso technique with a counter-melodic conception, was captured in all its glory at the Vanguard on June 25, 1961. Upon returning to L.A., LaFaro phoned his friend Herb Geller, who was then playing alto with Benny Goodman in New York. When we were in junior high school, Godfrey Brown, the head of the high school music department, would come there to recruit for positions they needed to fill in the band and orchestra. Brockton-born alto player and clarinetist Dick Johnson was also on the band. Tom was honored by the Jazz Journalists Association with the Willis Conover-Marian McPartland Award for Career Excellence in Broadcasting in 2019. Composer: Porter: The 25-year old Scott LaFaros death in a car accident shortly after was a major shock to the jazz world. Evans was an articulate interweaver of a pianist, a melodic speaker, a filigree lord rather than a rhythm king. He was visiting some friends west of Geneva and was driving home late when he crashed. Motian operated the same way; if anything, he was even more of a painter than the leader. He became a professional musician in New York City during the Roaring 20s. But you always knew that Read More Kelly Sill, Several years ago, one of Danilo Prezs students was suffering from tendinitis. Both Nat Hentoff and Ralph J. Gleason took note. Our Dad was from here. April 3, 1936 in Newark, NJ. LaFaro also played opposite bassist Charlie Haden in alto saxophonist Ornette Coleman's experimental double quartet on Free Jazz. She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. Fraternal guidance, in that this endeavor allowed fellow band members to do what they best did. She writes, What he said not only had an impact on me, but seemed to sum up much of what I had been hearing as I talked to musicians. Dont get fancy, no double beatsPlay whats written.LaFaro flew east, passed the audition, and signed on for a six-week tour of one-nighters with Goodman. jazz bass Another link(Born: April 3, 1936 in Newark, NJ, Died: July 6, 1961 in Geneva, NY)During his tragically short life, Scott LaFaro quickly developed into one of the most advanced bassists around, competing with Charlie Haden and Charles Mingus. More on his story here. Stan was playing a melody, and Scott began doubling it. Postings here are the last known photographs or videos of a person. Scotty sat in. He remembered that Scotty was dressed up for the Newport appearance. Dave Green joins Alyn Shipton to pick the essential recordings of fellow bassist Scott LaFaro's brief but brilliant career, including work with Bill Evans. Member Of . 2023 Madavor Media, LLC. The top of the instrument is a three-piece plate of slab-cut fir; the back is a two-piece plate of moderately flamed maple with an ebony inlay at the center joint; the sides are made of matching maple. For when Jazz Abstractions wrapped, December 21 dawned, and that meant LaFaroalong with Dolphywas boomeranging back to A&R Studios for the landmark waxing of the legendary, epoch-rattling Free Jazz, with a lineup of Dolphy on bass clarinet, Freddie Hubbard on trumpet, Charlie Haden on bass, and Ed Blackwell on drums in the right channel, and Coleman on alto, Don Cherry on pocket trumpet, Billy Higgins on drums, and LaFaro in the left. Also included is "Porgy", originally omitted for lack of space.[]" To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. On Sundays our family would go to church, then go to the movies in the afternoon. But LaFaro makes the music pulsehe provides its heartbeat and flow. LaFaro died in an automobile accident in the summer of 1961 in Flint, New York on U.S. 20 between Geneva and Canandaigua, two days after accompanying Stan Getz at the Newport Jazz Festival. LaFaro started his professional career playing a German-made Mittenwald double bass but it was stolen in the Spring of 1958. Scott was extremely picky and choosy, and he wanted to call the trio. All that listening to the trio had another effect on me. My dad loved the director, so we had to go and have that experience as well. Other times, its distilled into a moment that seems to transcend itself, and thus it went for Paul Gonsalves, hero of a Newport afternoon. Cool Modal Music Post-Bop. So even a low speed accident which would be survivable in today's cars, would be a mess in an older car. He was a musician from age 4. He got his first professional experience playing bass at Belhurst (with my fathers group). Beginning in 1955, he was a member of the Buddy Morrow big band. A copy of the latest annual report may be obtained from the Smith Center or from the Office of the Attorney General, Charities Bureau, 120 Broadway, New York, NY 10271. Performers: Hampton Hawes, p; Harold Land, ts; Scott Lafaro, b; Frank Butler, d. 14 Mar 1958. Performers: Victor Feldman, p, vib; Scott LaFaro, b; Stan Levey, d. 22 Jan 1958. He emphasized high notes, could play with great speed and his interplay with Bill Evans in their trio was mutually stimulating and influential. On December 19 and 20, he took part in John Lewis, Gunther Schuller, and Jim Halls Jazz Abstractions sessions, with buddy Bill Evans and Eric Dolphy. His records with Bill Evans are among the finest jazz trio discs ever made. LaFaro died in an automobile accident on July 6, 1961 in Flint, New York on U.S. Route 20 between Geneva and Canandaigua, four days after accompanying Stan Getz . LaFaro-Fernandez: Dad (Joe LaFaro) never forced us to play music. It was there his career exploded. Published since 1970, JazzTimesAmericas Jazz Magazineprovides comprehensive and in-depth coverage of the jazz scene. Born in Newark, New Jersey, he was an influential jazz bassist best known for his work with the Bill Evans Trio. Bill Evans. He was his own thing. Ornette Coleman, Eric Dolphy, and others were also featured, and LaFaro drew notice from Dan Morgenstern inMetronomefor a solo remarkable for its technical skill and musical weight. The piece was Schullers Variants on a Theme by John Lewis (Django), which he would also appear on in December when Schullers work was recorded for the Atlantic Records release,Jazz Abstractions. With my mom and Scotty and my two sisters and then our own kids, we eventually had to build onto the house. Labels. In May 1960, the Bill Evans Trio joined in a program at Circle in the Square that was devoted to Gunther Schullers jazz compositions. 2023 Viacom International Inc. All Rights Reserved. July 6, 1961 in Seneca, NY. Friedman first heard LaFaro with Buddy Morrow, and then they worked together with Chet Baker. Cloudflare Ray ID: 7a154b16ff047cd4 Shortly after, their collaboration began. On date night, people would end up at The Smith. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". He used a Zen epigram in the closing of his letter to Gloria: Im trying to remember a bit of Zen I like so well: If you seek the fruits ofgood actionso shall they escape you. I try to smile everyday with that., https://www.youtube.com/watch?v=uugimR8honE, When I asked Kuhn if Scotty had similar anxieties about touring with Getz, he said no, but he recalled a bandstand incident between the bassist and the tenor player whom Kuhn called extraordinarily paranoid. One night at the Blackhawk in San Francisco, he said, they clashed. Its no knock on Charlie Hadena formidable pioneer himselfto say that if hes a bass player, LaFaro is something else, to use the Coleman argot. The Scott La Faro book was wonderful. We never got to enjoy it as a concert venue in our day, unfortunately. LaFaro-Fernandez: After Scotty joined the Buddy Morrow Orchestra, he traveled with them all over the country until they reached California, as he really wanted to be where the West Coast jazz scene was happening. But LaFaro had a pronounced Dolphy streak too, in that both musicians were playmakers, facilitators, helping others to raise their games by playing theirs at the highest level. Ornette Coleman was another musician who appeared on the Jazz Abstractions datebut as with Dolphy and Evans, on just half the recordand I often imagine the conversations he might have had with LaFaro during breaks and between takes about what Coleman had in mind for the next day. Tracks. Bassist Scott LaFaro would die in a car accident just ten days after this album's recording, at the age of 25. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. This album is widely considered to be one of the best in the Evans canon, and the type of emotive interplay between the musicians that at some points seemed almost deconstructed has served as a model for piano trio play. Bud Powell. We were like brothers., Six months before the session with Kuhn, LaFaro recorded with trumpeter Booker Little on April 13 and 15. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. These two albums, recorded less than two weeks prior: https://www.youtube.com/watch?v=gZ_rZZusz90 https://www.youtube.com/watch?v=RbTEgBEaEM4. For the 1964 album with Monica Zetterlund, see, The Complete Village Vanguard Recordings, 1961, "Bill Evans Trio: Sunday At The Village Vanguard & Waltz For Debby", Plays the Theme from The V.I.P.s and Other Great Songs, Turn Out the Stars: The Final Village Vanguard Recordings, Consecration: The Final Recordings Part 2, On Broadway Vol. He played a lot of top, cymbals, and Scotty wanted more drums, says Kuhn. Press J to jump to the feed. Little was as star-crossed as LaFaro, and hes usually talked about in conjunction with altoist Eric Dolphy as often as LaFaro is with Evans. Q: Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? Often controversial, always entertaining, JazzTimes is a favorite of musicians and fans alike. After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. The helmsman remains present to take us many places where we otherwise might not have gone, and no one has steered that ship better than Scott LaFaro. And there truly couldn't be a better way to . Like Evans, Kuhn, whod arrived on the New York scene in 1959 as a 21-year-old Harvard grad, was being managed by Helen Keane. We never got to enjoy it as a concert venue in our day, unfortunately. Stan said fine. Kuhn and drummer Pete LaRoca were Scottys choices, but in the midst of a two-week engagement at the Sutherland Hotel on Chicagos Southside, LaFaro had got tired of LaRocas playing. Victor Feldman. Scott died instantly and the world lost a talented andinnovative musical voice. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world." Scott Yanow. She had lost her husband, then four years later lost her son, and she still had young kids to raise. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. Scott Yanow, All-Music Guide Scott LaFaro's life and career were cut short in July of 1961. This was Scottys home, and he would practice bass facing the corner in the living room because he could better hear the sound quality. It was then he fell in love with the tenor saxophone. The album was the fourth and final effort from the unitLaFaro died in a car accident just ten days after the live date at the Village Vanguard from which Waltz for Debby and its predecessor, Sunday at the Village Vanguard, were taken. Mom needed the money. Helene makes no secret of LaFaros exacting standards and competitive personality, and she quotes many who testify to the same. Q: Your family ended up following Scotty out to California. Showing all 2 results. In his liner notes, producer Orrin Keepnews focused on the phenomenon of Bill Evans thepianist, but the lone paragraph devoted to the other members of the trio noted that they werent limited toconventional rhythmic backing, and cited Autumn Leaves, as a harbinger of things to come. Tragically, LaFaros chance to see how far his talent would take him was cut short when he died in a car crash near Geneva in July 1961 at the age of 25. [3] He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. We decided to move the family to California. At age 12 he was recommended for the Ithaca Conservatory of Music, where he was classically trained in violin. Sign in to continue reading, Sixty years after the bass greats untimely death, a look at his musical legacy beyond the Bill Evans Trio. The music of Jazz Abstractions proceeds as a series of shadings, which tend to be called variants on the finished LP. LaFaro was taken from this world 60 years ago, on July 6, 1961, in Flint, New York, where he was involved in an auto accident a few days after playing with Stan Getz at Newport. In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. I would love to see it. Performers: Chet Baker, tp; Phil Urso, ts; Francy Boland, p; Larance Marable, d; Scott LaFaro, b. Evans stopped performing for several months. There was great rapport. Dad (Joe LaFaro) never forced us to play music. There are several actions that could trigger this block including submitting a certain word or phrase, a SQL command or malformed data. The Sampson Air Force Base was so big that it brought in big names like Duke Ellington. Also, Club 86 was bringing in major stars as well. I was 19 and working. The entire day's recordings were released in 2005 as The Complete Village Vanguard Recordings, 1961. LaFaro joined the Bill Evans Trio in 1959 and, although he would record with Ornette Coleman (including Free Jazz) and gig with Stan Getz, the bassist is best remembered for his association with Evans, particularly their Village Vanguard recordings of 1961. Put one way: Scott LaFaro was up for it. [1] For a time, Haden and LaFaro shared an apartment. Performers: Buddy Morrow, tb; Walt Stewart, tp; Dick Johnson, as; Scott LaFaro, b; plus unidentified other musicians. He was in his second year at college to study music when he joined Buddy Morrow's band and went on a cross country tour. He insisted that Stan fire LaRoca and hire Roy Haynes, and Stan was so impressed with how strong and unique he was that he acceded to his wishes.. LaFaro continued to divide his time between Getz, Ornette, and Evans in 1961. Security video shows a crash in the Reseda neighborhood of Los Angeles which left a driver dead. He proved to be a natural for the instrument, which obsessed him, and early in his sophomore year he went on the road with Buddy Morrows orchestra. One of the most substantial biographies I've read in recent years is the 2009 publication that Helene LaFaro-Fernandez devoted to her brother Scott. After that touch of piano, he really started to enjoy music and develop a keen awareness of what it was all about. This is the best piano player Ive ever heard. It was Evanss 1956 debut album,New Jazz Conceptions. Q: What kind of influence did your father have on your brothers music? It remains what is likely Evans' most well-known song,[citation needed] one that he would play throughout his career. California had affordable education, and we could all go to college. She proposed the demo as something to shop around to record labels; alas, nothing came of it. - The Absolute Sound Scott LaFaro's Pieces of Jade features long-lost material recorded in New York City shortly before the bassist's death in a car accident in 1961. Ted Gioia, in his 1997 survey,The History of Jazz, said, "LaFarotook far greater chances, departing markedly from the traditional walking line, instead offering countermelodies and guitar-like phrases. The CD reissue of the album contains several outtakes. He lives in Boston and has contributed toJazzTimessince 2006. Bassist Scott LaFaro of Geneva had already achieved acclaim when he died in a car accident at the age of 25. Scott LaFaro at Newport July 2, 1961 - Killed in a Car Wreck 4 days later. DSD 128 fs (2) DSD 64 fs (2) . There is a creek that ran through the park, it would go up past Shuron Optical where they used this rouge chemical to make glass lenses, so the creek was always red. Scotty grew up in Geneva, where his father Joe, whod played with the Paul Whiteman and Dorsey Brothers orchestras, earned a living as a violinist and shared his fondness for both classical music and big band jazz with his children. He was a tremendous talent [who] wanted to go on to greener pastures.Over the next two years, Scotty toured the country with Chet Baker, and worked around L.A. with Hampton Hawes, Harold Land, Buddy DeFranco, Richie Kamuca, Joe Gordon, and Stan Kenton. I quit very fast, but he was a natural. Death. That left air and spaceand timewhich could do with some filling, some shaping. The trio attracted attention for its style. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. Kuhn remembers hearing that it was a St. Christopher medal that LaFaro always wore that helped to identify his badly burned body. Pianist Pat Moran, who led a trio that Scott toured and recorded with in 1958, says he was was very aware of his genius and used to love to go into clubs and intimidate bass playersHe was quite a character, lots of fun. Moran is little known today as Patti Moran McCoy, butin 1960 LaFaro was quoted ina profile written by Martin Williams forJazz Review, I dont even like any of my records except maybe the first one I did with Pat Moran., https://www.youtube.com/watch?v=2HAbUcKTdcI. 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